Maybe it's because it wasn't uploaded to Kate Moross' site or because the shops I'd frequented had decided not to stock, but the last batch of work for Fenech-Soler had passed me by. Odd really as I had been aware of the earlier - and less interesting - output by this electropop band.
Anyway what Moross has commendably managed to do here is retain the essence of the 1980s that more blatantly permeated their early visuals yet stayed true to her own passion for geometric shapes. The typography has an Art Deco revival feel but that, for me, only adds to that eighties aesthetic. Plus there's a lovely metallic sheen courtesy of Jane Stockdale's phototography.
I hate to say 'retro-futurism' again, but it is all a bit like Miami Vice in space.