Various Artists - Interpretations on F.C. Judd by Optigram

Link: Optigram
Link: Public Information

Coming after last year's 35 track F.C. Judd collection, Electronics Without Tears, the Public Information label has invited Chris Carter, Perc, Pye Corner Audio, Holly Herndon, Mordant Music and more to reconfigure selected sounds from his extensive archive. Optigram has, in turn, delivered slick monochrome artwork to house crisp white vinyl. Limited edition with 500 copies worldwide plus substantially less exclusive/sexy digital versions.

Objekt/Cosmin TRG - 'Shuttered/Auster' by Give Up Art and Shaun Bloodworth

Link: Give Up Art
Link: Shaun Bloodworth
Link: The Green Series
Link: Bleep.com

The second in the Bleep.com co-curated Green Series is another highly collectable split release. Again boasting a die-cut, embossed and hand-stamped outer sleeve (with internal photography by Shaun Bloodworth), this one features music from the Berlin-based Objekt and Romania's Cosmin TRG (whose second album will be out in April via 50 Weapons).

The run of deluxe packages - complete with signed colour art prints - is already spoken for. The (still beautiful) standard version can currently be pre-ordered. Be quick though. Only 500 copies worldwide and released next week.

Dinos Chapman - Luftbobler design by FUEL

Link: Fuel Design
Link: The Vinyl Factory 

Limited Edition details:

• Four plate copper etching by Dinos Chapman, hand coloured on 300gsm Somerset Velvet soft white paper
• Five colour screen printed artwork across four panels of cloth-bound bespoke board
• Two 180-gram heavyweight hand etched records, containing the album's 13 tracks, pressed on the EMI 1400 in Hayes, Middlesex
• Limited to 300 copies worldwide, each hand signed and numbered by the artist
• One in every 10 copies contains an exclusive bonus track, pressed on an additional one-sided 12"
• Mastered for vinyl by Noel Summerville at 3345 Mastering
• Music written and produced by Dinos Chapman
• Original etching by Dinos Chapman
• Design by FUEL

One in every 10 copies also contains an additional one-sided 12" vinyl pressing of an exclusive bonus track, which will never be subsequently released on any format.

This limited edition is available to pre-order now. The Vinyl Factory will release 'Luftbobler' on gatefold vinyl, CD and digital formats on 25 February 2013. An accompanying, site-specific audio-visual installation will take place at The Vinyl Factory in Soho, London from 28 February to 3 March 2013.

Pricing:

• The first 100 copies of this edition will be priced at £200
• The next 100 copies of this edition will be priced at £250
• The last 100 copies of this edition will be priced at £300

'Dalston Fried Chicken' from MarkJames_Works and Unbox Industries

Link: Mark James_Works
Link: Unbox Industries

Inspired by hazy late night visits to fast food outlets, Dalston is six inches of finger lickin’ fried chicken presented in vinyl. Delivered in a hand screen printed box, and limited to 200 pieces. 

DFC also comes with a deep fried orange 7” single featuring a brand new track, 'Chicken Rhythm' by Gareth Goddard, (Cherrystones)

Also available will be a limited edition screen print and T-shirt. 

 

Karenn/The Analogue Cops - 'Studio 3/OCPLX1' by Give Up Art and Shaun Bloodworth

Link: Give Up Art
Link: Shaun Bloodworth
Link: The Green Series
Link: Bleep.com

Following up 2009's North/South/East/West project, Bleep.com has again collaborated with the formidable team of, design company, Give Up Art and, photographer, Shaun Bloodworth. Again fusing artwork and music, 'The Green Series' has made its pre-order debut with a split techno-oriented single from Karenn (a.k.a. producers Pariah and Blawan) and The Analogue Cops (Marieu and Lucretio).

The standard version for this release is already pretty special - with its die-cut sleeve, embossing and hand-stamped details - yet there is additionally a numbered deluxe edition that additionally comes with two high quality art prints signed by Bloodworth. Both versions include MP3 versions that will be delivered on, release date, 19th November. Neither are going to be around for long: the pressing is limited to 100 copies of the deluxe vinyl available and a further 500 of the standard version.

Peter Gabriel - So box set by Marc Bessant

Link: Marc Bessant 
Link: Peter Gabriel 

It seems that anniversary editions and deluxe box sets are everywhere - with many recent cash-ins seemingly testing that definition of "classic". However, Peter Gabriel's fifth studio album (that contained, huge international hit, 'Sledgehammer' and Kate Bush collaboration 'Don't Give Up') has now been remastered as a timely reminder of its enduring qualities.

With its multiple vinyl, CD and download content alongside a 60 page case-bound book, the Marc Bessant-designed So 25 set additionally demonstrates Gabriel's commitment to work that is beautifully realised. And its the attention to detail - particularly the subtle embossed icons - that make this a worthy follow-up to Bessant's sumptuous packaging for the artist's Scratch My Back long-player.

Mala In Cuba artwork by &A&K and Teddy Fitzhugh

Link: &A&K
Link: Teddy Fitzhugh
Link: Brownswood Recordings

Following his exploits on the Talkin' Loud label (where he signed a diverse array of artists including 4Hero, Galliano, Reprazent and Nu Yorican Soul), Gilles Peterson more recently dispatched Digital Mystikz's Mala to Havana so that he could collaborate with a selection of Cuban musicians. This has been documented as Mala In Cuba: a project that, marking its landmark status, will be getting the lavish box set treatment.

A four vinyl release on 180g vinyl (plus download code) will come packaged with artwork designed by &A&K [who previously handled the beautiful sleeve of 2010's Return II Space]. The evocative photography by Teddy Fitzhugh helps give a sense of Mala's journey and capably moves dubstep away from the old gritty aesthetic associated with nocturnal London to something that's a bit more Buena Vista Social Club.
 

Illum Sphere - 'Birthday/808ER' sleeve by ARPA/Roger Ballen

Link: Roger Ballen
Link: Illum Sphere
Link: Young Turks
Link: Hoya Hoya

Out today on digital and later this month as just 500 12" copies is the new offering from Illum Sphere a.k.a. Hoya:Hoya's Ryan Hunn. If you happen to live in Manchester, then you might be more aware than most of this producer's long-standing interest in the combination of music and art - given that, prior to his more recent activities, he was found at the helm of its Sketch City nights. This latest work subsequently builds on that plus the Young Turks label's commitment to quality vinyl manufacturing to deliver a sleeve with "interchangeable artwork". Presented in collaboration with ARPA Design and respected South Africa-based photographer Roger Ballen, there is said to be no heirarchy between the two images - reflecting the release's lack of an A or B side. Both, like Hunn's idiosyncratic output, are totally intriguing.
 

Nathan Fake - Steam Days artwork and poster by Jack Featherstone

Link: Jack Featherstone
Link: Border Community

Last week's marathon House Party event on Channel 4 paired up a succession of taste-maker DJs with video artists. However, it seemed to reaffirm that club culture struggles as a spectator sport. Some of the VJing  didn't help with any kind of reassessment either - particularly given that much of the visual work resorted to the tired imagery that's already accompanied at least 44,000 Ibiza-oriented compilations. The dancefloor experience was too easily reduced to some animated gifs of speakers and rotating headphone-clad people.

A notable exception was Jack Featherstone who took an interesting and far less literal approach that did more to illustrate the abstract communicative abilities of sound. Which is unsurprising given his output: the latest of which follows on from the series of 12" singles he prepared for the Border Community label.

Contextualizing Nathan Fake's upcoming Steam Days long-player, Featherstone appears to touch on an area that has previously been visited by Andy Gilmore and Michael Cina: courtesy of the construction of a complex, overlapping geometric image. In this case, though, it has resulted in a hypnotic, vortex-like arrangement of light that is perhaps as dazzling as Fake's productions. Released next week on double vinyl, CD and download, there is also a limited edition A2 print of the artwork that's currently available to pre-order at bleep.com.

M.I.A. - 'Bad Girls' USB

Link: M.I.A.

Picking up on the car theme that was explored on Romain Gavras' astounding video, M.I.A. has put out the remixes of 'Bad Girls' on a limited edition gold-plated key shaped USB. Available only in the US and retailing at $50, they come suspended from a ½” gold colored snake chain. The 2GB capacity includes audio content boasting production by Danja, Switch, and Leo Justi plus guest vocals from Missy Elliott, Azealia Banks and Rye Rye.

The packshots, meanwhile, utilise the culture clashing, almost anti-designer aesthetic that has typified the artist's artwork for almost ten years.

Tame Impala - Lonerism by Leif Podhajsky and Kevin Parker

Link: Leif Podhajsky
Link: Modular

The new album from, Perth-based psychedelic rockers, Tame Impala features artwork, once again, from Leif Podhajsky. Following his previous sleeves for the band, this latest [coming after the 'Apocalypse Dreams' single and, debut album, Innerspeaker] is in collaboration with, frontman, Kevin Parker.

Interestingly, the Modular label has also chosen this point to crowdsource ideas about what should constitute a future deluxe version of the release. Defining this process as 'choosing your own adventure', the company asks:

"Do you want a bonus rare seven inch? Do you want a poster of some gazelles? Do you want a lock of Kev's hair?"

Answers can be submitted here. "All genuine offers will be considered."

Lorn - Ask The Dust by Jesse Auersalo

Link: Jesse Auersalo
Link: Ninja Tune

The Brainfeeder-affiliated Lorn issued, his second album, Ask The Dust this week. Available via Ninja Tune (with a now sold out reel-to-reel edition and a version on cloudy grey vinyl), it boasts artwork from, Finnish illustrator, Jesse Auersalo.

Auersalo's imagery was previously used as part of Big Active's campaign for Mark Ronson's last long-player although this particular project sees him sticking to the moody monochromatic style that makes up a large part of his portfolio. Additionally the trompe l'oiel concept - evoking Magritte - and the plaster-like texture - adding a touch of de Chirico - makes the cover a beautifully-rendered surrealist work.

 

Nitemoves - Longlines by Jakub Alexander

Link: Jakub Alexander
Link: Moodgadget
Link: Nitemoves

Also known by the musician/DJ alias of Heathered Pearls while additionally the founder of Moodgadget Records and music curator of the respected IS050 blog, Jakub Alexander additionally completed artwork for Nitemoves' long-player.

An electronic opus from an individual previously spotted drumming with, two Ghostly-signed acts, Com Truise and Tycho, Longlines was first unleashed last month. Now that digital release is also joined by a limited edition cassette complete with bonus tracks. Its run of 100 copies should start shipping tomorrow.

This Dull Ache by Mark James Works

Link: Mark James
Link: This Dull Ache
Link: Cherrystones
Link: Rough Trade

A collaboration between producer/DJ Cherrystones and designer/artist Mark James, This Dull Ache is a lovingly packaged film project.

Boasting a DVD and 20 page booklet within a 10" sleeve, it's a piece that actually dates back to James' first solo show back in 2008 - although now re-worked [both re-edited and remixed] for its limited release. Additionally produced by Academy Films' Liz Kessler and edited by Ben Crook, it's now available to order from Rough Trade.

F.C. Judd - Electronics Without Tears artwork by Optigram

Link: Optigram
Link: Public Information
Link: F.C. Judd 

With CD and download versions available at a special price to mark its composer's 98th birthday, it's worth revisiting Optigram's designs for the release of F.C. Judd's Electronics Without Tears.

First released by the Public Information label in January, externally it continues a series of hard-edged yet hypnotic patterns by Optigram's Manuel Sepulveda. Although, within the CD packaging, there is additionally an eight page booklet with notes on the retrospective album's 35 tracks plus a biography on the radiophonic master by, experimental documentary maker, Ian Halliwell. [The vinyl edition - limited to just 500 copies - appears to be sold out.]

DROKK packaging by Marc Bessant

Link: Marc Bessant 
Link: DROKK

The latest project from designer Marc Bessant sees him, once again, working alongside Portishead's Geoff Barrow. Titled DROKK and in collaboration with composer Ben Salisbury, this takes its musical and visual inspiration from Judge Dredd's Mega-City One. The release additionally finds itself spread across a number of formats.

Limited to an edition of 400 is a deluxe box set version consisting of a PiL-evoking metal film cannister containing an industrial-like grey vinyl pressing, circular print, CD and t-shirt. [More images of the various versions can be found at the above links.] The DROKK branding also makes use of a stencil typeface akin to that which might typify industrial signage associated with the dystopian end of the sci-fi genre.

Bessant's discussion of DROKK's development/creative process:

"Taking on a project that already has 35 years of talent associated with it is always daunting, but some things are hard to pass over, as was the case with ‘DROKK -Music inspired by Mega-City One’.

I first heard the demo’s some time ago and they were sounding the right side of edgy then and beginning to tick all the right boxes; Making music for non-existant movies has become quite fashionable of late, but what was different about this one was its creators were old-skool readers of 2000ad and, taking into account that respect for the writers and artists over the years, had a genuine motivation for making it uncompromisingly just-so. I would approach the design in much the same way, I would not (and largely could not) compete with the artists that have brought mega-city one to life for the past three-and-a-half decades, the sleeve design had to be independent of all that and stand on its own, for better or worse.

I wanted to make a sleeve/formats that wouldn’t look out of place within the Mega-Cities themselves, gritty and monochromatic. Early on we (Geoff, Ben and I) met with 2000ad/Rebellion and our work could not have been more positively received, their approval meant a lot to us and from then on it was full steam ahead.  Several formats were undertaken  – Bunker, Visor, LP and Mega-Edition – all various shapes and sizes but with an overall utilitarian and minimal aesthetic throughout. Cover logotype was painted and tracks/names chassis-stamped, all textures from the surfaces of Civil Waste Disposal vehicles, crude but apposite."

Δkkord - '001'

Link: Δkkord

Limited to 300 copies, the first Δkkord (or "Akkord") release has been flying out of wherever has been able to stock it. The work of an enigmatic collective of "like minded artists raised in and around the rural outskirts of Manchester", the vinyl makes use of a simple rubber stamp (a mainstay of underground 12" singles) with an aesthetic that touches on what has been revealed as the elusive post-dubstep team's "passion for minimalism, art, design, mathematics and sacred geometry". While not keen on revealing themselves through photography, Δkkord did meticulously document the process involved in the record's design.