Showing posts with label Sleeves. Show all posts
Showing posts with label Sleeves. Show all posts

12 May 2015

Secret 7 artwork by Josiah Craven

Link: Josiah Craven
Link: Secret 7

This year's outstanding Secret 7 project featured contributions from Yoko Ono, Peter Blake, David Shrigley, Paul Smith and Erik Spiekermann alongside Plastic Circles favourites including Give Up Art, Optigram, La Boca and HORT. However, the initiative has also historically acted as a great showcase of upcoming talent.

One such fresh creative is Josiah Craven - a student on Leeds College of Art's BA (Hons) Graphic Design course - who managed to sneak seven of his artworks included within Secret 7's recent exhibition at Somerset House. That's one for every included track. Working as a set while also reflecting qualities particular to the individual records, his 7" single designs couple type-based constructions with art-directed photographic elements to culminate in a series of contemporary music/design artefacts. Sold off in aid of the Nordoff Robbins charity, the set has since been split but have been collected here for posterity.










20 April 2015

Jlin - Dark Energy artwork by Spencer Shakespeare and Fabian Harb

Link: Planet Mu
Link: Knives
Link: Dinamo

With A&R and art direction by Spencer Shakespeare's and Jamie 'Kuedo' Teasdale's KNIVES imprint/creative agency (although unleashed via the always forward-thinking Planet Mu), Jlin's Dark Energy long-player takes both footwork and record artwork seriously. The finished package also benefits from sizeable input from Fabian Harb of, type foundry, Dinamo and effectively will whet appetites for what's to come from a new type of collaborative practice. 

As Teasdale notes in an interview with FACT: 
"From the outset, we both knew that the label had to offer something individual in terms of validating its existence. Due to our collective interests and backgrounds, we also knew that this would somehow encompass visual art, graphic design and a collaborative working process."



2 April 2015

'Cargaa 1 EP' by HelloMe

Link: HelloMe 
Link: Warp 

The first of three Cargaa EPs that represents emerging Lisbon talent is released by Warp next week. Available as as a 12" and download, artwork comes courtesy of Berlin's HelloMe: furthering - as the bottom images suggest - the palette and clean aesthetic of their refresh of Warp's website. Although this time, coupling that Designers Republic 2.0 style with some more expressively daubed detailing.



12 March 2014

Michael and Mattis - 'Hoes Before Bros' artwork by Cordova-Canillas

Link: Cordova-Canillas
Link: Hivern Discs

Debut Michael and Mattis EP for the Hivern label comes with a sleeve art directed by Barcelona's Cordova-Canillas. A great project in its own right but even more impressive when you see how this artwork for the NewYork/Oslo duo is within the context of a broad yet cohesive portfolio that also includes some great editorial, digital and photography work.



3 December 2013

Debukas - I Am Machinery by Richard Robinson

Link: Richard Robinson
Link: Debukas
Link: 2020Vision

Available now is the Debukas album I Am Machinery on 2020 Vision. As already featured in full on the wonderful Collate, it incorporates a great custom typeface by the masterful Richard Robinson (that seemingly follows on rather nicely from his contemporary stencil-based re-design for Dummy).





30 October 2013

For The Record #6: Kate Moross

Link: Kate Moross
Link: Studio Moross
Link: Stiff Records
Link: Design Manchester 13
Link: Paul Gorman's Reasons to be Cheerful book


Ahead of her talk at Design Manchester 13 tomorrow (alongside Malcolm Garrett, Peter Saville and Mark Farrow, no less), Kate Moross selects the Kandinsky-inspired 1977 work by Barney Bubbles for The Damned's Music For Pleasure as her personal favourite sleeve.

"I didn't know what it was when I first found it but I loved it immediately," she says. "Some people will obviously know about Barney Bubbles but I still don't think he's had the recognition that he deserves. Not when you consider the amount of great work he did.

"I've got to know Bubbles' biographer Paul Gorman and he's said that he sees some of him in me. Not necessarily in terms of our styles... but it's a huge compliment."




Kate Moross' own book, Make Your Own Luck, is published by Prestel April 2014.

Manchester Confidential also has a feature on Design Manchester 13.

29 October 2013

Thomas Azier work by Ben Roth

Link: Ben Roth
Link: Thomas Azier

A long overdue post featuring work by the Berlin-based Ben Roth for electropop multi-instrumentalist Thomas Azier.

It's a monochrome series that is leading up to an eventual album release that comes complete with a moody aesthetic previously explored through Roth's work for the Vulture label. Roth has also developed another direction through a couple of colour-heavy sleeves for Alan Braxe and Benjamin Diamond that are also worth checking out.








20 May 2013

Various Artists - Interpretations on F.C. Judd by Optigram

Link: Optigram
Link: Public Information

Coming after last year's 35 track F.C. Judd collection, Electronics Without Tears, the Public Information label has invited Chris Carter, Perc, Pye Corner Audio, Holly Herndon, Mordant Music and more to reconfigure selected sounds from his extensive archive. Optigram has, in turn, delivered slick monochrome artwork to house crisp white vinyl. Limited edition with 500 copies worldwide plus substantially less exclusive/sexy digital versions.


29 March 2013

Mount Kimbie - Cold Spring Fault Less Youth artwork by Leif Podhajsky

Link: Leif Podhajsky
Link: Mount Kimbie
Link: Warp

With that amazing Horrors box set recently unveiled plus an archive of visual material for names like Foals, Bonobo and Tame Impala, Aussie artist Leif Podhajsky's kaleidoscopic view of the world is well established. However his latest imagery for Mount Kimbie's upcoming long-player takes a more restrained graphic, almost mid-century approach yet it simultaneously appears to nod towards Matisse's collage work and, pioneer of the album cover, Alex Steinweiss. So while Podhajsky's more psychedelic offerings will continue to thrill, it's great to see the arrival of this other, cleaner but equally intriguing aesthetic.


20 February 2013

Objekt/Cosmin TRG - 'Shuttered/Auster' by Give Up Art and Shaun Bloodworth

Link: Give Up Art
Link: Shaun Bloodworth
Link: The Green Series
Link: Bleep.com

The second in the Bleep.com co-curated Green Series is another highly collectable split release. Again boasting a die-cut, embossed and hand-stamped outer sleeve (with internal photography by Shaun Bloodworth), this one features music from the Berlin-based Objekt and Romania's Cosmin TRG (whose second album will be out in April via 50 Weapons).

The run of deluxe packages - complete with signed colour art prints - is already spoken for. The (still beautiful) standard version can currently be pre-ordered. Be quick though. Only 500 copies worldwide and released next week.



13 February 2013

The Draughtsman - '1694 EP' artwork by Alex Egan

Link: Alex Egan

Renaissance man or control freak? Whatever, Alex Egan's release as The Draughtsman comes complete with artwork by the producer. Of course, Egan is more than adept at producing tasty music-oriented design with his output gracing labels including Phantasy Sound. However the polymath's double (green) vinyl offering is particularly special.

Evidently a homage to Peter Greenaway's The Draughtman's Contract, its depiction of ordered nature plays against some more haphazard type. With remixes from Roman Flügel, Cosmo Vitelli and Tim Paris, it's available to purchase from Phonica.



6 February 2013

DJ Rashad - 'Rollin' artwork by Optigram

Link: Optigram 
Link: Alex Trochut
Link: Hyperdub

Another sleeve from Manuel Sepulveda of Optigram for the Hyperdub label. This time it's a visualisation for an upcoming four track EP by DJ Rashad: a name synonymous with Chicago's footwork sound. Not that this is completely new territory for Sepulveda (he previously designed an album cover for, scene stalwart, Traxman on Planet Mu) but it is representative of Hyperdub's continued diversification.

This one sees the designer creating the sort of dark textures that typified Ikonika's 2010 album while also making use of a bold typeface created by Alex Trochut.