Showing posts with label Identity. Show all posts
Showing posts with label Identity. Show all posts

2 June 2011

The Vinyl Factory by Tom Darracott

Link: Tom Darracott
Link: The Vinyl Factory

Tom Darracott received a lot of attention for the design/illustration work put together for, London club, Fabric. He also devised the art direction for Mark Ronson's Version album and its successful campaign. Plus there's also the identity work for the Vinyl Factory that is featured below [a company, by the way, whose own lovingly crafted output has already appeared in this blog quite a few times).



13 January 2011

BRIT Awards rebrand

Link: Music

As the nominations have just been announced, I thought I'd post some images from the BRIT Awards rebrand completed by, Manchester design agency, Music.

Not only completely shifting away from a logo that was overtly 'yoof', the project has additionally involved sleekly reworking the statues that will eventually grace the downstairs toilets of pop's finest. Plus probably the one belonging to Katy Perry too.

Additionally, these trophies are to be customised each year with the first featuring a design by Vivienne Westwood. The new B identity, meanwhile, offers a multitude of options for contrasting photography to work alongside that nice new silhouette.

Winner.



31 August 2010

Delicacies and Delicatessen artwork

While gathering ideas for the last project I referenced a batch of work completed by Kate Moross for Simian Mobile Disco. Consisting of two videos - that appeared to link sound to shape-shifting geometry - plus an attractive album concept, these have paved the way for the creation of the the identities for the duo's Delicacies label and, a new experimental club night, Delicatessen.

In collaboration with Jack Featherstone [who works alongside Moross under the ISO banner] it picks up on the act's concept for the linked projects with a rather unsettling series of imagery. The label itself will be releasing records/downloads where the name of each track comes courtesy of one of the world's more frightening gourmet delights while the club offering is an opportunity to try out more challenging sounds within a selection of venues. 'Aspic', '1000 Year Old Egg', 'Nerve Salad' and 'Casa Marzu' [a.k.a. 'maggot cheese'] have already been released and, for me, they fit with this visual work that appears to evoke that Victorian approach to the exotic and the extreme. In a way, it touches on the kind of aesthetic employed previously by Andrew Weatherall for Two Lone Swordsmen and Rotters Golf Club: suggesting something unsettling and a bit murky. Perhaps perfect for the exploration of off-kilter techno. While undeniably British.

I'm actually fascinated by the employing of a strong concept for the titles. As Simian Mobile Disco discuss in an interview with Beatport:

"My personal favourite is Ortolan which is a French delicacy. It’s basically an endangered species of bird that is really small. Apparently, they are fattened up, drowned in brandy and eaten whole. The tiny bones cut the insides of your mouth, which is meant to be part of the pleasure. When you are eating it, you wear a cowl over your face to hide your shame from God…"





15 August 2010

Apple Pips work by Give Up Art

With work for the likes of FWD>>, Tempa, Skream, Benga and Rinse FM, the duo behind Give Up Art has pretty much defined a clean and tight dubstep/post-dubstep aesthetic. Below is their identity for Bristol's excellent Apple Pips label with a colour-coded release strategy that, again, aids its collectability. Nice die-cut touches too.