DROKK packaging by Marc Bessant

Link: Marc Bessant 
Link: DROKK

The latest project from designer Marc Bessant sees him, once again, working alongside Portishead's Geoff Barrow. Titled DROKK and in collaboration with composer Ben Salisbury, this takes its musical and visual inspiration from Judge Dredd's Mega-City One. The release additionally finds itself spread across a number of formats.

Limited to an edition of 400 is a deluxe box set version consisting of a PiL-evoking metal film cannister containing an industrial-like grey vinyl pressing, circular print, CD and t-shirt. [More images of the various versions can be found at the above links.] The DROKK branding also makes use of a stencil typeface akin to that which might typify industrial signage associated with the dystopian end of the sci-fi genre.

Bessant's discussion of DROKK's development/creative process:

"Taking on a project that already has 35 years of talent associated with it is always daunting, but some things are hard to pass over, as was the case with ‘DROKK -Music inspired by Mega-City One’.

I first heard the demo’s some time ago and they were sounding the right side of edgy then and beginning to tick all the right boxes; Making music for non-existant movies has become quite fashionable of late, but what was different about this one was its creators were old-skool readers of 2000ad and, taking into account that respect for the writers and artists over the years, had a genuine motivation for making it uncompromisingly just-so. I would approach the design in much the same way, I would not (and largely could not) compete with the artists that have brought mega-city one to life for the past three-and-a-half decades, the sleeve design had to be independent of all that and stand on its own, for better or worse.

I wanted to make a sleeve/formats that wouldn’t look out of place within the Mega-Cities themselves, gritty and monochromatic. Early on we (Geoff, Ben and I) met with 2000ad/Rebellion and our work could not have been more positively received, their approval meant a lot to us and from then on it was full steam ahead.  Several formats were undertaken  – Bunker, Visor, LP and Mega-Edition – all various shapes and sizes but with an overall utilitarian and minimal aesthetic throughout. Cover logotype was painted and tracks/names chassis-stamped, all textures from the surfaces of Civil Waste Disposal vehicles, crude but apposite."