Here's some beautiful typography for Beck's Moden Guilt that actually turns out to be just one of six treatments that Mario Hugo pitched. All of his ideas were actually great. Yet none of them were used. The final artwork has also been pasted below and, while I happen to be more of a fan of Hugo's approach, I suppose you have to respect Beck Hansen's right to go with his own instincts. After all, he has been a great patron of good design throughout that recording career of his.
Let's just hope that Hugo gets to use those letter forms elsewhere.
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