Now there are his designs for Joy Orbison's Doldrums label which might be ignored due to the low key look but, for me, that's what makes them so appealing. Admittedly, I love the whole utilitarian approach often involved with underground club records and the hand-stamped information continues that tradition. The minimal text, while also nice from an aesthetic point of view, reflects the whole upfront and non-mainstream aspects usually associated with 'the white label'. Evidently, it's a label that knows its market.
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